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In the waiting room of an abortion clinic, the quirky and whip-sharp Juno decides to give birth and to place the child with an adoptive couple.
She finds one in the Penny Saver personals, contacts them, tells her dad and step-mother, and carries on with school.
While Bateman taps into his not so over-the-top side (which he used to his great advantage in scene-stealing roles in Smokin' Aces and The Ex), and gives a great character performance, Garner does even better as the over-domineering wife.
She gives the role a slightly creepy tinge in a few cases, but for the most part, delivers one of her best performances.
I was a little apprehensive at wanting to jump on the bandwagon of praising her, but the script is truly wonderful.
Will Juno's plan work, can she improvise, and what about Bleeker?
After seeing her intense, calculating and downright terrifying work in Hard Candy, I knew that she would be a presence to be reckoned with.
And in seeing Juno, I now know that she truly will continue to grow into a great actress.
Supporting turns from just about everyone only further complement Page's terrific acting.
Garner and Bateman, while not as well written as Page, do great as the would-be adoptive parents.Its gradual depth does not go unnoticed, and as the film packs into its most dramatic scenes, it really becomes apparent that Cody has a great sense of how to write really well.